Touring & visiting DJs
You arrive with a USB and a rider. We arrive with the wall, the truss and the lights, already programmed to the set. One supplier, one contact, one invoice.
DJ equipment rental · Toronto & Southern Ontario
Playing Toronto?
Rent the whole stage.
Not just the speakers. An LED DJ booth, LED walls, truss totems, moving heads and a PA that holds up at volume — hired out for one night, on your truck or on ours. Delivered, rigged before doors, and gone before the lights come up.
Who rents from us
DJ equipment rental in Toronto,
the short route to a stage.
You do not have to own a wall to play in front of one, and you do not have to book a whole production company to get four decent lights over a dance floor. Everything here is our own stock. Take one piece of it or take all of it.
Residents with a one-off
The room already has a booth and two tops. For the night that has to look different, add a screen behind you and four movers over the floor — without buying any of it.
Promoters & venues
Screen, lighting and sound from one place, quoted line by line. You can see what a wider wall or two more heads actually costs before you commit to it.
Other production companies
Dry hire is a normal booking for us, not a favour. Take the panels, the processor and the totems on your own truck, or have us deliver and leave you to it.
The builds
Four builds, a booth
to a full production.
Keep scrolling and they build themselves, one after another — live 3D, not photographs. Drag any of them to look around. They are starting points rather than fixed bundles: every item hires out on its own, and moving between them is a conversation.
The smallest thing we will bring out. A 1.9 m booth whose entire front face is screen — your artwork, the promoter's logo, or a slow loop cut to the set. Driven from our own processor, not a laptop balanced on a flight case.
Box truss standing on weighted base plates either side of the booth, a moving head riding each top plate and colour washing up through the lattice. Nothing is flown, so it goes into rooms that will not take a hung truss — which is most of them.
The picture arrives. One wide LED wall on ground support behind you, and a truss span across the back on two crank lifts carrying six movers. This is where most club and ballroom shows land.
The complete build: a 7.6 m span with ten movers on it, a main wall with a portrait LED column either side so the picture reads from the edges of the room too, and a deck under all of it. What we bring when the set is the headline.
Piece by piece
Or just take
the pieces.
Nothing above is a locked bundle. This is the actual stock, with the numbers that decide whether it fits your room and your power. Everything is quoted per unit per day, so one more panel or two more heads is a line you can see.
| Item | What it is | The number that matters |
|---|---|---|
| P2.9 LED panel | Indoor video panel, die-cast aluminium frame | 500 × 1000 mm cabinet, 0.5 m² each · 2.9 mm pitch · 4,500–6,500 nit |
| Novastar processor | Maps your content onto the wall, whatever shape it is | One per wall, regardless of size |
| Truss totem | Free-standing column on a weighted base plate | 200 cm and 150 cm · 290 mm box section · 600 × 600 base |
| Box truss span | 4-chord square truss, conical couplers | Ø 50 mm chord · 785 kg at 8 m · TÜV certified |
| Crank-lift tower | Raises a span or a wall without any rigging point | 5.8 m / 19 ft max · 200 kg · four outriggers |
| Beam moving head | The lights that cut through the room | 200 W · DMX 16 ch · 13 colours + rainbow, 14 gobos · stock of 10 |
| RGB flood | Floor uplighter, aimed up a wall or a column | 80 W · 8,000 lm · IP66 · roughly one every 3–4 m of wall |
| Lighting console | Obsidian Onyx — cues written to the set | One per show that has movers or programmed looks |
| QSC K12.2 top | 12″ powered top, on a pole | 132 dB max SPL · 45 Hz–20 kHz · always in pairs |
| QSC KW181 sub | 18″ powered subwoofer | 135 dB max SPL · 37–129 Hz · one a side |
| DJ booth | Counter with a full-width LED fascia | 1.9 m wide · 0.9 m high · booth only, no player |
| Haze machine | What makes the beams read in the air | Check the venue permits it — many hotels do not |
Recent shows
Our own work.
Filmed on the night, by us.
If you want it built
Or have us run it,
load-in to last track.
Dry hire is one option. The other is that none of it is your problem on the night — we turn up, build it, programme it, run it, and take it away again.
Room first
Ceiling height decides whether beams clear the crowd or blind them. Available power decides how much rig the room can actually hold. If there are no flying points we build on truss totems with weighted bases instead, which works almost anywhere.
Itemised quote
Every panel, fixture, speaker and crew hour listed separately. Want two more moving heads or a wider wall? You can see what it costs before you decide.
Built and programmed
Rig goes up in the venue window, gets tested, and the lighting is programmed rather than left on sound-active — so the room changes when the set does. Send us your content and it runs on the wall; if you have not got any, we can cut something.
Operated, then gone
An operator on the console for the night if you want one, or a locked-off look if you do not. We strike after the last track and the room goes back to normal.
Before you ask
What you
need to know.
Can I rent just the LED wall, or just the lights?
Yes. Every item on this page hires out on its own — panels, totems, moving heads, console, tops and subs. The four builds are starting points, not fixed bundles.
How much power does the rig need?
It depends entirely on how much of it you take. Tell us the circuits the room actually has and we will size the build to them, or tell us the build you want and we will tell you what to ask the venue for. Either way it is worked out before load-in, not discovered on the night.
Do you deliver, and how far do you travel?
Toronto and Southern Ontario. Delivery and pickup are quoted as their own lines so you can see them, and you are welcome to collect instead if you have the truck for it.
Can I run my own visuals on the wall?
Yes, and we will tell you the wall's exact pixel size before you master anything, so nothing gets letterboxed or stretched on the night. If you have not got content, we can cut something to the set.
Do I have to take an operator?
No. You can have an operator on the console for the night, or a programmed look that runs itself. What we will not do is leave the movers on sound-active and call it a light show.
My venue has no rigging points. Does that rule this out?
No. Everything here stands on ballasted base plates or crank-lift towers. Nothing is flown, which is also why it clears most venues' rigging rules and the labour that comes with them.
Is this dry hire, or do you build it?
Both, and it is priced differently. Take the gear on your own truck with your own crew, or have us deliver, build, programme, run and strike it. Other production companies hiring from us is a normal booking.
How quickly do I get a price?
Within one business day, itemised line by line — every panel, fixture, speaker and crew hour listed separately, so you can see what one more moving head or a wider wall actually costs before you decide.
Tell us about the show
Get a quote.
Venue, date and rough headcount is enough to start. If you already know which build you want, say so — and if you only want two pieces of it, say that instead.